One for the Hooks by Betty Hechtman
Many years ago I read the first couple of books in a then-new crafty mystery series by Betty Hechtman. Members in a crafting forum I was a moderator at were very excited because this series was centered around crocheters; most of the fiber craft mystery series featured knitters. I wasn't too impressed by the series, so after two or three books, I gave up. But I recently came across the latest in the series and thought I'd give it another try. Sometimes an author needs two or three stories to hit their stride, and I thought that might be the case here.
I was wrong. The character and the story were even worse than I remembered. I hate to pan a book, much less an entire series, but I really can't do otherwise here. Ms. Hechtman is now writing 3 or 4 different series, and their output always suffers when authors start writing this much. That may be the problem here. Or, it may just be that this series is bad. I'm not going to try her other series to determine which is true.
The main character, Molly Pink, works in a bookstore as assistant manager and event coordinator. In addition to book groups, she's organized a group of crocheters who meet regularly in the bookstore. In the first book, she became romantically involved with the police officer investigating the murder. At some point, they broke up and she started seeing a lawyer. In this book, Molly has to face her attraction to both men. Barry the police officer has moved on and is dating again, and Mason, her new boyfriend, has asked her to quit her job to work with him, and told her that he wants to marry her. She is attracted to both men and strings both of them along. She is jealous of and snide toward's Barry's new romantic interest to his face. She makes derisive comments about Carol using a home meal delivery service because she (Molly) doesn't need pre-packaged ingredients to make a meal. What gourmet meal is Molly preparing while she's mocking Carol? Scrambled eggs. Haute cuisine. She lies to Mason about her feelings for Barry repeatedly.
Molly's behavior to Barry is juvenile and offensive. She constantly accuses him of being constipated emotionally (as if a police officer can let his emotions be visible to all). She agrees to help him investigate what looks like an accident but may have been intentional. Barry tells her that he will contact her as she is assisting unofficially, and she becomes petulant when he doesn't call and angry when she calls him and he doesn't want/can't to talk to her. Hmm, Molly, maybe he's at the police station and will get in trouble if it becomes known he's working with you? She answers every question he asks about the case with a question, refusing to answer until he practically begs for it, then diverts the conversation into accusations about his emotional self-control, and then finds his impatience with this childish behavior objectionable. Rise and repeat, and repeat, and repeat. By the third identical conversation with Barry, this was tedious.
Her personal behavior is also objectionable. She steals keys and breaks into two houses, she withholds information, she repeatedly tells the reader that Barry and the police can't do their jobs so she has to solve the crime for them. She acts as if they are Keystone Kops bumbling about, and doesn't consider that her behavior not only impedes their investigation, but could cost them a conviction in a court of law if they try to rely on her fraudulently obtained information. She prides herself on being a better investigator than professionals yet gets physically locked in an easement because she doesn't think to check the lock. Yet later, when she needs to get out of that same water easement area, she finds a different gate/door that is the only one that doesn't lock like all the others, and guess what? It just happens to be the gate to the murderer's house.
Other unbelievable coincidences abound, like jogging a computer awake with her elbow and being able to access all the files because it's not password protected (really?). She can answer a cell phone without seeing the name on the screen (how is that possible when you have to touch the screen to answer the call?). A book group regular just happens to be a neighbor of the woman where the murder occurs. The final coincidence, which ties the murderer into a separate subplot, was one too many and made me want to scream. There are inconsistencies in the story. After hundreds of pages around a key plot element--a neighborhood is angry that a resident wants to start letting her house be used as a vacation rental a la VRBO, after the resolution to the murder suddenly the entire neighborhood signs up with that homeowner to star in a reality television show about short term rentals. So the idea of a short term rental house next door was horrible until they could make money off the situation? This flies completely in the face of the personalities of neighborhood characters, all of whom had been suspects and therefore were recurring characters throughout the novel.
The plot has been completely ripped from recent headlines with no attempt made to disguise it. The book is an amalgamation of lazy writing techniques, unbelievable coincidences, and unlikeable characters, and makes for an annoying reading. I actively disliked Molly by the end of the story. She is irritating, annoying, juvenile, self-centered, arrogant.
So I won't be giving this series another try. I suggest you avoid it, too.